I uploaded it to Anchor podcasts and checked the audio quality. I uploaded an episode from our 11th hour Podcast show by Faith McQuinn called To the Moon and Back, which was produced in 256 kilobytes per second. You lose detail in the highest and lowest frequencies. But when you get into sound effects and music, where you’re trying to create the immersive world of either a song or a story that you’re telling, 128 kilobytes per second is going to have the same effect that it has on music. 128 kilobytes per second is more than enough to handle basic speech. The quality doesn’t need to be as broad, because the human vocal range is limited. Now 128 kilobytes per second is a great rate if you just want to record people speaking. However, a lot of audio hosts, even the paid hosts, push that down to 128kbps. So when I create an audio drama, I want to have that full range of sound available to my audience.įor that reason, I like my bit rates to be at 256 kbps and above. I tend to do a lot of dramatized audio productions that use really intense soundscapes. Looking for the best podcast hosting service? Here, we outline the best platforms & offer top choices to make your life easy!įind out more » Reviewing Anchor as a Hosting PlatformĪnchor provides unlimited free hosting, and there doesn’t seem to be any sort of limitation on the size of the files that you can upload.
10 Best Podcast Hosting Platforms, Carefully Chosen For You 🧐 (Plus 3 Top Free Picks)
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